Adult-FanFiction.org : Games

Shadow of Destiny: The script of sarcasm	By : Shenai Category: -Misc Video Games/RPGs > Walkthroughs/Hints/Spoilers Views: 1697 -:- Recommendations : 0 -:- Currently Reading : 0
Disclaimer: I do not own the game that this fanfiction is written for, nor any of the characters from it. I do not make any money from the writing of this story.

Chapter List
- 10
- 11
- 12
B2 Ending.

(Christmas has come and gone, so I decided whilst I was sitting around digesting all this lovely Christmas food from two days ago, that I would write out another ending. It seems amazing to be this close to finishing this thing after spending so many odd months on it. Damn! Today I�m prepared for any disgusting endings with a bottle of Archer�s Schnapps. Hopefully having a little alcohol in my system will help me be able to handle anything I may see today. Please God.

Anyway to get this ending, you have to talk to Sybil alone and not Homy. This is sort of like refusing a cream bun and instead opting to eat a piece of shit. No, I am not overacting by the way. You play it yourself and then talk to me about the vile taste it leaves in your mouth. After talking to Sybil, take Eike on over to Homicidal Hugo and talk to him. The following scene ensures-)

Eike: Hugo� (He sounds like he�s calling for a pet here. And we all know how much Eike would like Hugo to be his pet.)

Black Hugo: Well? Did you bring Homunculus? ($1000.)

Eike: Did you take a look at where your house used to be? (I think Eike has a little trouble staying on topic. I don�t think this is the first time I�ve mentioned that.)

Black Hugo: (Gesturing towards it with his knife. Take that anyway you want to. And ew, not like that.) Yeah, I went over there. It�s like a gutted box. (Isn�t it a boxes purpose to be gutted? What the hell is a gutted box anyway? A box that�s even more empty then a usual box? That�s just stupid!) There�s nothing there, everything�s gone. (Well that�s what happens after 400 years, my dear boy.) No trace of the way we used to live, no happy memories.... (I�m guessing he couldn�t find his stash of porn.) How could I ever forgive you for that?

Eike: Your mother�she�s still there. (Oh that�s the way. Tell the kid with the Oedipus complex that his mother is still floating around in their 400-year old house Eike. I�m sure that�ll make him real happy.)

Black Hugo: (Naturally looks furious.) Th--! That�s a lie! You think I�ll fall for that trick!? Yeah, right! You can�t get me that way! (Yeah, next time try chocolates and flowers Eike. I hear it works wonders in some countries.)

Eike: Look, of course she isn�t there in the physical sense. (So that Fortune-Teller was actually a ghost? Or even better, a zombie?! Ooh, I�m starting to like the turn this game is taking.) But she says her spirit�s been around this whole time. (Hugo thought train: Ooh shit, I am so grounded...) And she say�s she forgives you... all this happened just now. (What? While they were standing there? Maybe Eike�s like Regan on the Exorcist? *Holds up crucifix* The power of Christ compels you!!)

Black Hugo: You... are you trying to pull the wool over my eyes? (Okay 1. Since when was Hugo a sheep? And 2. WTF?!)

Eike: I swear I�m telling you the truth. (Crosses his fingers behind his back.)

(The camera moves to show Hugo staring unbelievingly at Eike as he swallows all that bull like Ayame swallows- -Ahem, never mind. Mary Sue eventually turns to him, about to persuade him to give up this evil stint and use his powers for good, dammit!!)

Mary Sue: Hugo.... (Jesus Christ, she doesn�t even say it forcefully. It�s whiny and pleady. Yeah, I�m sure he�s really going to be swayed by that.)

Black Hugo: (Quickly speaking before Mary Sue can whine anymore.) All right then.... Don�t you dare move. I�m going to go over there to take a quick look. (Pulls Mary Sue closer, gagging as he does, then going against all instinct as he pushes the knife in Eike�s direction.) I�ll know if you try anything, so don�t even think about it. (Well, I�m sure that won�t be a problem Hugo.)

(Hugo and Mary Sue exit stage right and Eike stares after them, wondering what he�ll do if he has a sudden urge to break dance or go to the toilet. Scene fades to black, then opens back up on the Fortune-Tellers place. The camera pans down to show Black Hugo and Mary Sue outside of the house, looking up at it. Because to look down at it, they would have to both be hovering above it, standing on it�s roof, or looking down from a helicopter. But since Hugo doesn�t know any float spells, can�t see any nearby ladders and doesn�t even know what a helicopter is, they must contend with looking up at it.)

Black Hugo: Damn... it�s just a ruin after all. (Wait... so was he lying about going to have a look before? This doesn�t make any sense.) (Hugo stands there looking pissy for a second, then turns and starts to storm back towards the Square.) He tricked me, that�

Sybil�s Voice: Hugo...

(Hugo stops in his tracks and nearly wets his pants. He has the same expression on my face like I did the first time I saw the staircase scene on The Exorcist. )

Hugo: (Looking up.) Mother?

Mary Sue: Hugo? What�s wrong, Hugo?! (Well, despite the fact that he has you as a sister, he�s hearing the disembodied voice of his dead mother. Wait, didn�t Sybil say that she can only reach people who have one foot in the grave? That means- ... Oh shit! No fucking way!!)

Sybil�s Voice: (In a simpering tone.) Hugo... Hugo...

Hugo: (Staggers back in shock.) Oh God, it�s Mother....

(A horrifying close up of Mary Sue�s shocked expression. I did not want to see that. Then a shot of her side, with Hugo in the background, staring up at the sky. Maybe Sybil�s standing on the roof?)

Hugo: (Turning back to Mary Sue.) It�s her voice!

Mary Sue: What are you talking about? I don�t hear a thing. (Well I can�t say I�m surprised. Her own voice must have sent her deaf.)

Hugo: You wait here, okay? (Walks up to the door.) I have to go take a look around.

(The camera shows a back up shot of Hugo and Mary Sue standing outside the house. Hugo reaches out and pushes the door open, which naturally squeaks like Yuki being raped by Haru. Actually the door sounds a little more masculine. )

Mary Sue: (Not even considering ignoring her brother�s commands and instead stares in after him.) But, Hugo�(The door slams and of course, instead of running back to Eike, she just stands there doing what she�s told. What a moron. The scene fades to black whilst a creepy piano solo plays in the background and then the shot reopens on Hugo standing just inside of the house, looking around as if expecting his mother to be waiting there with tea and biscuits.)

Hugo: Mother! You�re here, aren�t you? (Nothing happens, except the camera pans to behind him so we get a nice Hugo ass shot. Thanks Fanservice! *Thumbs up*) Mother, it�s me, Hugo!

(As though the words were some kind of signal, the entire house starts to shake and rattle and roll. There�s a song in here somewhere. Hugo goes staggering back, almost plastering his ass against the camera, and starts looking around wildly as great cracks begin to form in the corners. It would seem as though his loud yelling voice had the same effect as Gandalf�s on the first LoTR�s movie when they were climbing the mountain. His made the whole house cave in on itself.)

Sybil: (Dramatically.) ...Hugo... You�ve done something that can never be excused or forgiven.... (But, didn�t she say before that she forgave him? Did she change her mind or something, or is this just another case of the game designer�s vendetta against continuity. Because continuity ya know makes sense, and God forbid if things actually made sense.) You should have understood the sanctity of life....

(The house starts to completely fall to pieces here, great bits of stone collapsing down from the corners and falling to the floor. Guess Sybil must be jumping up and down on the roof. A great rip appears in the floor, heading straight for Hugo and tipping him off of his feet. He hits the ground hard and rolls ass over heels, landing on his belly. He struggles to his feet as a Sad Piano Solo plays in the background. Sad Piano music + House falling apart = Really fucked up the ass scene. Hugo dodges backwards as a large block of concrete almost squishes him and staggers to his feet, looking upwards as Sybil continues to chuck her uncalled for temper tantrum.)

Sybil: It is only given once, to a single human being, (At this point, Hugo shimmies along the wall and slides down it, curling into a ball in the corner, covering his head with his hands.) and it�s weight is beyond measure....

Hugo: But, but I�

Sybil: (As she continues to destroy the house.) Oh, I understand how you feel.... (Lady, no offense but do you have and Oedipus complex? No? I didn�t think so, so shut the fuck up!!) How could I not, even if no one else can....? My little Hugo.... (Geez, no wonder the poor kid has size issues.) Would you like to... come with me?

(Instead of telling her to pack up her anal-retentive ghosty ass and go by herself, Hugo actually seems to consider this. Oh God, he must have hit his head hard, poor bugger. This sadly reminds me of Project Zero when Muffy decided he was going to stay with Kirie and keep her company in death. It�s the same tragic waste of a cool character. Hugo gets to his feet and staggers towards the center of the collapsing room, veering off with each rumble thus making him appear slightly drunk. He stares up at the ceiling for about 20 minutes then finally raises his arms as though he is singing hymns to God. Thankfully, he doesn�t sing although I would have paid money to see him belt out; "It�s raining men." Not that this is Church hymn.)

Hugo: I�ll�go... I want to go with you, Mother.... (Actually, I can see where he�s coming from. Die and go to wherever with his Mommy, or live and be with Mary Sue for the rest of his life. I�d take the least painful option; that of dying.)

(The house goes more spastic and huge chunks of stone rain down as Hugo stands there with his arms in the air like a moron. He is hit by a few medium sized slabs of concrete and falls to his knees. A huge bundle of the stuff falls in front of the camera, obscuring our few of him and then the scene blacks out, It reopens outside to show the building going to Hell in a handbag with Mary Sue watching from nearby. )

Mary Sue: Hugo!!

Hugo: (From inside.) Mother.... (And I�ll be the first to say, he sounded a tad too excited there.)

(Mary Sue finally pulls her finger out of her ass and runs over to the door. She grabs a hold of the handle, tugging it whilst slamming her fist against the door, definitely adding to the houses stability. )

Mary Sue: Hugo!!

(Apparently, Eike has just been standing in the Square picking his ass the whole time, because it is only now that he shows up. He rounds the corner as Mary Sue tugs at the door handle whilst slabs of concrete collapse around her. Why they can�t hit her I don�t know, but I�m really hoping it could happen sometime soon.)

Eike: It isn�t safe! (That�s what I say about any kind of involvement with Mary Sue. Eike dashes over and grabs her around the waist, spoiling himself for life and tugs her away from the door. She hangs on like Sam to a naked Frodo.)

Mary Sue: But Hugo, Hugo�(Struggles against him, which warms my cold, black heart.)

Eike: Pull yourself together! (Oh come on Eike. Her only living family member is inside a house that is falling apart at the seams. I think even she has the right to be hysterical just this once.)

(There is a blackout and the scene reopens with Hugo on his hands and knees inside the house. If anyone finds that screenshot and photo shops Eike standing behind him, I will hunt you down and sick my attack goose on you. It�s left to the audiences already stretched imagination to assume that Hugo has already been nailed by a lot of those big slabs of concrete because one tiny little piece raps him on the back of the neck and he falls forward onto the floor. God knows why, but they black out right here, then reopen the scene on Hugo�s face close up as he closes his eyes. I don�t know if he�s supposed to appear happy here because he�s dying to be with his Mommy and what not, but he sure doesn�t seem it. The camera pans out to show the entire house basically collapsing in the center like the last cake I baked and we can only guess that little Hugey boy has chucked his last Black tantrum. I feel a deep hatred for Konami at this point. It�s no Ending A but why couldn�t Mary Sue have died instead? Why is it all the obnoxious assholes get to live?)

(The scene reopens to show the house has indeed had the living dickens smooshed out of it. It looks like a bad pastry gone wrong, and I�ve seen enough of those in my time to tell. If this isn�t enough, it seems to be fuming what looks like orange gas. I don�t even wanna know. I am then subjected to a horrible scene of Eike holding Mary Sue by the waist looking as though he is buggering her from behind. I maim myself over the head with my cute little Japanese book. Mary Sue finally collapses to the ground, quite upset it would seem at her brother�s death, not that she seemed to give a rat�s ass about him in Ending A.)

Mary Sue: Hugo.... My only.... (If the next word was going to be "love" I am out the door, done the street and gone.) It was just the two of us, and now.... Why... (Hiccups. I kid you not.) why....

Eike: (Stands up, I didn�t mention that he was kneeling just then, but he was.) I... I know there�s nothing I can say that�ll make things easier for you right now�But I�m here for you, (Whack, whack) just remember that, Margarete.... (Whack, whack.)

(He kneels down beside her and puts a comforting hand on her shoulder. I feel nauseous, then I just remember my PMT. Though I don�t think this scene is helping it much.)
Mary Sue: Hugo... Hugo...

(She buries her face in Eike�s chest and rocks back and forth as she sobs and moans, bringing this scene up several more scales of wrong. I look for the book I was maiming myself with before but I can�t find it, so I�m forced to use my computer desk instead. It proves to be better anyway as it is made up of hardwood. After some more moaning and disturbing imagery the scene fades out. Though I shouldn�t be complaining because I too, played Ending B1.)

(Epilogue: Ending B2.)

(We get a nice overview shot of the orange smoke over top of the buildings and then the camera pans down to show Eike walking Mary Sue back towards the Square. He has one arm around her shoulder, sort of how Kyou might have his arm set if he was ever forced to go to a movie with Kagura at midnight. The camera shows the both of them from the front and Mary Sue shifts to the side a bit as she walks. When she shifts back, Homy is standing there about five feet behind them, looking amused as per usual. I orgasm. I�m sure Eike would be too, if he had seen him, which he is about too I would assume. How could you not notice Homy for crying out loud?)

Homy: Well, looks like it�s over, doesn�t it? (Eike and Mary Sue turn around to face him. For some reason Eike seems less then thrilled at his presence. Eike is weird.) Good job, Eike. (Puts his hands on his hips and there is a blackout. The following scene is the same as the Ending A one with Eike reiterating that Homy was using his hot ass to stay alive. Blah, blah, blah, here I was thinking you wanted to screw me, Blah-die blah, crap, my boobs are perky lets have a wet t-shirt competition, crap, crap, crap, I hate you, no you don�t, yes I do, Tuesday night? Maybe yes, maybe no, blah blah, passive aggressive, crap, crap, meow hiss spit. Then there is Eike asking Mary Sue if she wants to stay here or go back to her time. You don�t get to make a choice here because she chooses what to do. And for once, she makes the smart decision. Holy fuck, I think there was just a cold breeze through Hell.)

Mary Sue: I...I want to go home. Even if it means I�ll be alone. (Homy trots up and holds his hand out. Eike gives him a high five. No, not really, he forks over the Digipad. Homy taps away at it, thanking the Lord that this time it doesn�t smash and he won�t have to be turned into a pile of goo. It does terrible things to the complexion.)

Homy: There. Give her a ride home. I�ve set it for one last trip. (Hands it back to Eike. And I am miserable to report that Homy is shorter than Mary Sue, which is sadder than the ending of Titanic.) Hurry though, Eike. (I would pay money to hear him say; "I miss you already.")

(The Digipad option screen pops up allowing us to take Mary Sue back to the 1500�s. I don�t even hesitate. She�s already spent way too long in the 21^st century and I know when things are taken too far. The two of them get another ride in the Pretensious swirly hole of bitter Star Trek fangeeks and land outside of Mary Sue�s completely totaled house. I can�t tell which one looks worse to be honest; the future Pastry version that smokes orange shit or the crappy 1500�s version. Oh what the hell, they both suck. Homy�s Swinging Limbo Pad (Yeah, baby, yeah!) is much nicer. Though I think he needs some more 60�s type furniture and a big circular bed with pink spotted leapord skin print.)

Eike: Well, take care of yourself.

Mary Sue: (Strangely enough, looking cheerful. WTF?) You too Eike. I guess it�s goodbye. (Thank God.) (There is a blackout and we return to Player control. Eike takes himself back to the future because it�s not nice to keep a lady waiting. Homy is standing patiently off to the side, hands on hips and making eyes for all the fangirls. He must have stowed the stove-pipe in his spacious pants before Eike could see it.)

Eike: Here, I�m giving this back to you. (Shoves the Digipad in the direction of Homy�s chest. Steady on! Do you want him to be a soppy pile of red mush again you great oaf?!) She�s safely back home now. (In her ruined house, great...)

Homy: (Chuckles thinking about this and takes the Digipad back.) What a nice guy I am. All services guaranteed.

(Wait... just hold the freaking show. Ignoring all the jokes I could have made about that "Services guaranteed" line, was I the only one that assumed that Homy was both girl and boy? Is he admitting that he�s a dude here? But what about the boobs? Are they just fruit he keeps hidden up his top in case he�s hungry? They don�t look like oranges or apples! Gaah! I�m so confused! Help me out here!

Quiz 11: Homunculus?

A girl. Come on, the breasts and the cherub lipstick? That screams "Lady" to me.

A guy. He just said he was, are you deaf, dumb and blind? Besides all the girls love him he has to be.

Both girl and guy.

A girl in denial.

A gender illusionist.

A genie.

A flaming sex symbol.

A guy with breast implants.

Who cares what he is? You�d still do him on the spot so what�s the problem?

Homy: Well, I suppose we won�t be seeing each other again, Eike. (Turns and walks away without so much as a flirty look. Damn! This ending could have been so much better if he�d just taken 2 seconds out of his time to do that. But noooo~ooo. Eike glares after him, as mad as I am that Homy refused to tart himself about in this epilogue, and then we see a shot of said genie walking towards the well and disappearing. The scene fades out and ends the same way as the previous scene so I don�t think I need to write it here. Well that�s all for this installment, so I�m going to go now and spend the night contemplating the likeliness of coating Homy in body butter and entering him in the next Mr. Universe competition. I think he has it beat already, even without the asset of the body butter. Though, I�m not sure it would go down so well if he really does have boobs... maybe they�re just oranges? Hmm... more things for me to consider.)

(End B2 Epilogue.)
- 10
- 11
- 12
You need to be logged in to leave a review for this story.You need to be logged in to leave a review for this story.
Report Story

Shadow of Destiny: The script of sarcasm